Category: Reviews
REVIEW: The Bad Batch – Season 3, Episodes 14 and 15, “Flash Strike” and “The Calvary Has Arrived”
It has been an incredible season of The Bad Batch this year, making it equally exciting and sad to see the show go. This is my favorite season of The Bad Batch, a show that has gradually gotten better and more laser-focused on its overarching story. To think we went from a relatively filler-y seas...
Read MoreREVIEW: The Fall Guy (2024)
The Fall Guy is for people who love movies but hate Hollywood. David Leitch’s new film is made of everything that used to make movies special: human characters we can see ourselves in, a sense of fun and exoticism, universal themes, the promise of eternal love and the fear that it may die, and th...
Read MoreREVIEW: Rebel Moon – Part Two: The Scargiver (2024)
If you had hopes that Rebel Moon – Part Two: The Scargiver would improve upon Part One, you can give up on them. The next chapter in Zack Snyder’s failed Star Wars script/blockbuster Netflix sci-fi epic is just as empty, boring, drawn-out, and illogical as its predecessor, with bad dialogue, wo...
Read MoreREVIEW: The Bad Batch – Season 3, Episode 13, “Into the Breach”
*SPOILERS* In “Into the Breach,” Rampart and the Batch wait for Echo on a strange planet. Meanwhile, Omega gets acclimated to her new roommates and asks them a few strategic questions. Dr. Sculder recommends that Omega be separated from the other “specimens,” but Emerie explains that she’s...
Read MoreREVIEW: Amazon’s Fallout Season 1
Developed by Interplay Productions way back in 1997, the original Fallout was a role-playing game set in a post-apocalyptic world decades after a nuclear war between the US and China, with a retro-futuristic aesthetic and turn-based combat. The player begins as a “Vault Dweller” who must venture...
Read MoreREVIEW: The Ministry of Ungentlemanly Warfare (2024)
Imagine Inglourious Basterds without the intelligent plotting, the engaging dialogue, the captivating characters, the witty humor, the expert pacing, the unbearable tension, or the palpable stakes, but with an undue smugness and the tone of the Suicide Squad movies, and you’ve got a good picture...
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